MARUNI Inc. a Japanese furniture company is now seeking for the designs of wooden armchairs whose conceptual theme is, as in 2004, Messages for Japanese thoughts and esthetic senses. We would like you to propose your own ideas of armchairs that represent your own understanding of Japanese thoughts and their esthetic senses. That is, as it were, the designs of armchairs as a dialogue with Japanese culture. This does not necessarily mean, however, that we are expecting the designs of armchairs of Japanese style. We are asking you to fully express the modern designs that come from the depth of your existence having grown in the stimulus from Japanese sense of beauty. The works being requested should be both excellent design works and commercial products. They should be realistic ones from the viewpoints of their production process, prices but, at the same time, they should also be of attractive designs. We are looking forward to receiving the ideas that are realistic but still full of challenging spirits.


*The theme of 2004, wooden small chairs, were defined as the chairs with no arm rests, which you sit on up straight at such occasions as meal time, study, work, etc. The theme of 2005, wooden armchairs, are defined as the chairs with arm rests, which you sit on at more relaxing occasions such as at bars, cafes, etc., as well as at official occasions such as conferences at offices etc.

Ref.1 What is Maruni?
Ref.2 Eight Manifestations of the Japanese Aesthetic

1. It should be the wooden armchair as a developed small chair also comfortable
Wooden armchairs are considered to be the chair for being relaxed, thinking and having a dialogue, not for working. They are used for a conference with smoking or at a cafe. We believe that a wooden chair is one of the most natural style in all chairs.

2. It should be both a design work and a commercial product.
The designs of the wooden armchairs asked for should be excellent both as design works and as commercial goods. The products wed like to sell in our business must be wonderful design arts as well.

3.It should be the wooden armchair to be sold permanently.
The designed wooden armchairs are to be sold as Marunis permanent collection works= goods as long as Maruni as a furniture company keeps on its business. Therefore the designs for them should be excellent ones as their archetypes.

4. It should be the Wooden armchair as a message for Japan and Japanese people.
The designs of the wooden armchairs should be the ones that represent your own understanding of Eight Manifestations of the Japanese Aesthetic.

The main material must be wood. The combination of the frame parts shouldbasically be made by dowel (wood nails=the short nails or bars made of woodto be inserted in the holes made on the surface of wood main parts for themto be combined.) or tenons and glue. If you have any other suggestionsconcerning the way of its composition, they will be accepted, though. Theuse of plywood should be limited only to its sub-material. The use of metalparts should be held to its minimum.

The judge for the competition is a product designer, Jasper Morrison with the support of Maruni's ' NEXTMARUNI PROJECT COMMITTEE, whose task is to examine the technologies and the costs necessary for the commercialization of the products.

JASPER MORRISON

Jasper Morrison was born in London in 1959, and graduated in Design at Kingston Polytechnic Design School, London and The Royal College of Art for Post Graduate studies. In 1984 he studied at Berlins HdK design school.
In 1986 he set up an Office for Design in London.
He began designing products for SCP in London, FSB(German), Vitra, and Cappellini(Italy). Together with James Irvine, he organised Progetto Oggetto for Cappellini, a collection of household objects designed together with a group of young European designers. He also worked with Andreas Brandolini and Axel Kufus on a variety of installations, exhibition designs and town planning projects under the umbrella of Utilism International.
Exhibitions and instalations have included:Solo exhibitions at the Axis Gallery, Tokyo, for Flos at the Yamagiwa Centre in Tokyo, a group show at the Galerie Kreo in Paris, The design of the 2001 International Design Yearbook exhibition, in Berlin and Cologne, and Recent projects include the design of electrical appliances for Rowenta, a bench for the Roppongi Hills development in Tokyo; the ATM desk system for Vitra.
Jasper Morrison Ltd. Clients include:
Alessi Spa, Italy; Alias Srl, Italy; Bollinger, France; Cappellini Spa., Italy; Evian, France; Flos Spa, Italy; FSB GmbH, Germany; Magis Srl, Italy; Muji ,Japan; Rosenthal AG, Germany; Rowenta, France; VitraInternational AG, Switzerland; Samsung Electronics, Korea.

Grand Prix (Given to one work):
Grand Prix Award is given to an excellent work that agrees with the theme of this competition.
< The Award Winner will receive 300,000 yen as the initial loyalty fee and after the work has begun to be commercialized, the running loyalty fee depending on its sales price will be paid. The initial loyalty is, however, paid as a part of running loyalty payment in advance.>

Several Selected Works:
The excellent works that have the future possibility of theircommercialization will be taken up as Selected Works.
< The creators of the Selected Works will make the two-year prioritycontract with sponsoring company for the consideration of theircommercialization. If they are decided to be commercialized, the runningloyalty for them will be paid after their production starts.>

We have requested 11 world-famed designers to design a small wooden chair with the same theme of this DesignCompetition. The work that won the Grand Prix Award in this competition willbe introduced in the Exhibitions held in Milan and Tokyo and in the bookentitled The Dialogue With Japanese Culture to be published later alongwith the 11 works designed by 11 world-famed designers. Designtope will announce only the name of the Prize Winner because of thenature of this competition of commercializing the Prize Winning work(s). Thedetails of the work that won Grand Prix Award as well as Selected works areplanned to be after their commercialization that will be in April of 2006.

The Schedule for the year 2005
May 10(Tue) --- July 18(Mon): Application Period
May 16(Mon) --- July 30(Sat): Work Submission Period
August 8(Mon) --- October 9(Sun): Viability Examination Period for Presented Works
October 12(Wed): Final Review and Decision of Grand Prix Award Winning Work, Decision of Prized Works (The results will be notified to their designers.)
October 19(Wed): Period for Final Trial Production of the Work (The trial product will be manufactured through the opinion exchanges between its designer and the competition sponsors.)

The schedule for the year 2006
In the mid-April: Exhibitions, Press Release are to be held.
A book, Dialogue with Japanese Culture will be published.

No restrictions are set such as your status, jobs, ages, nationalities, etc. And both individuals and groups can participate in the competition.

Fill in the application form in the web-site and send it. Later you will receive your application number and password by e-mail. Please keep the application number and the password for the work submission as they are required when you submit your work to the competition site. You can submit more than one work but you need to make an application for each of your works respectively.

Requirements: 3 visual images and two paper texts

1. Comment A: 'The title of the work and what you want to express by your designs with their special characters.'
The language used for the text is to be English. Those who speak Japanese should put the text In Japanese along with English one. The maximum length for the Comment A is 400 words in English and 200 letters in Japanese.

2. Comment B: 'The Message for Japanese Esthetic Senses.'
The language used for the text is to be English. Those who speak Japanese should put the text In Japanese along with English one. The maximum length for the Comment B is 800 words in English and 400 letters in Japanese.

3. One three dimensional visual image showing the main design
500 x 500 pixel (only RGB / in JPEG format / within 100kb)

4. The technical drawings of the work seen from the three angles.
Detailed measurements and required materials have to be shown in them.
500 x 500 pixel. GIF animation will also be accepted. (only RGB / in GIF format / within 300kb)

5. One detailed drawing with the measurements and the materials
500 x 500 pixel. GIF animation will also be accepted. (only RGB / in GIF format / within 300kb)

*Each of the presented visual image files should have the name in English-one-byte characters with the file extension of (-jpg/-gif).

Example: compefile1.jpg, compefile2.gif


The method for the work submission
The period for the work submission Apr.26---July 31. 2004
The submission and the reception of the works are done on the web-site. When you have the required forms, three visual images, and the two text-files (Refer above) ready to be sent, please complete the registration process for your work(s) following the instruction of the application form for the work submission (Click the Work Submission button in the web-site and follow the instruction). Remember we will not accept the works submitted in the form of attached files to e-mails.

Important
1. Dont put any information on any of the images from which the applicant may be identified.
2. The images can be in any forms. For example, they can be photos of a model, hand-drawn sketches, 3D computer graphic images, etc. It is totally up to the applicant.
3. The presented works are limited to unreleased ones.

<Concerning various rights>
The rights concerning the presented works such as their copy rights, intellectual property rights belong to their presenters. The right for their commercialization is, however, to belong to MARUNI Inc. And the sponsor will hold the rights to keep, record, exhibit, publish and advertise the presented works for free.

<Concerning award-winning works>
In the case that any award-winning work is revealed to be an imitation, a piracy, etc, which possibly impinges the intellectual property rights of other individual(s) or organization(s), the award will be nullified even after its announcement.

<Concerning the treatment of personal information>
None of the personal information put on the application form etc. is to be revealed to any third person other than MARUNI Inc. and DESIGNTOPE. The great attention is paid to the protection of personal information by all concerned with the competition.

Direct inquiries to:
DESIGNTOPE Competition Secretariat

compe@designtope.net

However, details regarding selection standards will not be disclosed. Please refer to the instructions on the registration form and the FAQs regarding questions on application procedure.